N. Eshelman
Puritan Board Senior
Interesting....
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We've used a washboard, a harmonica, a snare, and congas.
Yet the eloquent silence of the NT on the use of instruments in worship, points to that, or at least that they are unnecessary for proper NT worship, and there is significance in that in itself.
Something I've always found interesting is that when a worship leader at a hymn-singing or contemporary church wants to make a particular hymn or stanza "extra special," they'll often drop out the instruments and have the congregation sing a capella.
Something I've always found interesting is that when a worship leader at a hymn-singing or contemporary church wants to make a particular hymn or stanza "extra special," they'll often drop out the instruments and have the congregation sing a capella.
As far as the RPW is concerned, in my opinion you cannot argue that it is commanded to use certain instruments but that others are forbidden.
True, they are unnecessary, as are pews/chairs (historically, congregations have often stood), pulpits, and even designated church buildings. The question is whether instrumentation can fall into the category of circumstances of worship rather than elements.
Trombone
?
We've used trombones in worship. I understand (but have not yet been convinced by) those who say RPW precludes any instruments, but I don't understand a 'no trombone' position.
We have used a trombone, too. I still don't get the RPW, I guess.
Here is a Psalm below that references musical instruments in worship. So in modern day Christianity how would it be wrong to play the piano, guitar, or keyboard?
Psa 98:4 Make a joyful noise to the LORD, all the earth; break forth into joyous song and sing praises!
Psa 98:5 Sing praises to the LORD with the lyre, with the lyre and the sound of melody!
Psa 98:6 With trumpets and the sound of the horn make a joyful noise before the King, the LORD!
Psa 98:7 Let the sea roar, and all that fills it; the world and those who dwell in it!
Psa 98:8 Let the rivers clap their hands; let the hills sing for joy together
The use of instruments in OT Worship (remember that category, not David strumming his lute in the fields or celebratory trumpets after a victory) was intrinsically tied to the slaughter of bulls and the Temple worship. It is not accidental that the Jews did not use musical instruments to guide their singing in the synagogue.
The simplicity of the music in the early synagogue was influenced by the halakhic prohibitions against playing musical instruments, or, under certain circumstances, even singing. These prohibitions stem from three different sources: rules of Sabbath observance; the mourning over the destruction of the Temple; and the struggle against what the Rabbis took to be promiscuity. [1]
Musical instruments and the shofar were considered inseparable parts of the Sabbath service in the Temple; rabbinic law could do nothing regarding their presence there. But the Rabbis could and did prohibit them outside the Temple for fear that playing an instrument on the Sabbath, a permissible act in and of itself, might lead inadvertently to the musician's tuning it, mending it, or carrying it from one public place to another- all of these being forbidden acts of work. Since the main synagogue service took place on Sabbath mornings, no musical instrument could become an integral component thereof. Even the shofar could not be blown, if Rosh Hashanah occurred on the Sabbath.
Mourning over the destruction of the Second Temple led to a rabbinic ban on all secular songs and instrumental music. Quoting Hosea (9:1), "Do not rejoice, O Israel, with merriments like the nations," the Rabbis declared: "An ear listening to songs will surely be cut off.... A song in the house means destruction is at its threshold" (Sotah 48a). Concessions were made permitting music, even instrumental music, for the sake of a religious obligation, such as rejoicing with groom and bride; but the Sabbath ban remained, and, in general, music was not favored.
The only instrument allowed in the synagogue, precisely because of its nonmusical significance, the shofar was blown mainly on Rosh Hashanah, to fulfill the biblical obligation as stated in Leviticus 24:29 and Numbers 29:1. The instrument is also sounded at the end of the concluding service (Ne'illah) on Yom Kippur and after the weekday morning services during Elul, the month preceding Rosh Hashanah. In the Sephardic and Yemenite rites,[2] the penitential services clustered around the High Holy Day season (selichot) feature many shofars blown simultaneously when the thirteen attributes of God (Exod. 34:5-7) are chanted. The awesome sound of the shofar served also to create a mournful atmosphere in services of public fasts, and even to invoke a sense of dread during ceremonies of excommunication.
Behind both Sabbath regulations and the desire to mourn for the Temple, however, we see the Rabbis' puritanical ethic, with its fight against real or imagined promiscuity, as evident in the extremist talmudic maxim: "A woman's voice is indecency" (Ber. 24a). In the Temple, and later in the synagogue, men and women were separated and only the men sang. In spite of a unique testimony to the contrary among the Therapeutae,[3] the antiphonal singing of men and women became unacceptable in rabbinic worship. "Men singing and women answering is promiscuity; women singing and men answering is like fire set to chaff" (Sotah 48a) [4].
That is why I believe that rhetoric like this needs to be dispensed of, and we need to open the scriptures and argue from them.
Also, I don't think it is an issue of, if you allow musical instruments, then you must allow Passover and Sacrifices, etc.
Something I've always found interesting is that when a worship leader at a hymn-singing or contemporary church wants to make a particular hymn or stanza "extra special," they'll often drop out the instruments and have the congregation sing a capella.
That's all about style, though. It's not because we think God hears us better without instruments. It's not because we want to "worship God correctly" for one stanza. It's to emphasize the part. Were the whole song a capella there'd be no way to emphasize one part. I'm not saying that it's necessary to set apart one stanza or anything--I'm just explaining why it would be done. It is to emphasize.
Adam with respect it sounds a little like you demote any argument you don't agree with to 'rhetoric', the inference being that it is not logical, or well thought out, but merely 'hot air', that appears to me to be an ad hominem argument. Disagree if you will, but just because you do so does not render every or even any opposing argument as mere 'rhetoric' with no logical or exegetical weight or merit.
I'm not sure anyone does. I don't make that argument, if you re-read what I wrote, what I argued was that it is unsafe to take an element in the OC and adopt it circumstantially. Adopting musical instruments or anything else from the OT into the NT is not necessarily wrong, nor is there a express command needed for any practice (good and necessary inference is sufficient), but this argument is not about practices, nor in relation to the 'thin end of the wedge' but whether an expressly commanded element can be adopted circumstantially when it is clearly not elementally warranted.
If a given element (which musical instrumentation clearly is in the OC) may be adopted circumstantially what is to prevent any or all elements being adopted circumstanially?
This is, of course, in addition to my initial question as to whether instrumentation to accompany congregational singing constitutes an element of worship distinct from unaccompanied singing.
The argument being made by some there, though, is practical and aesthetic, not Biblical. If use of instruments is allowable, then the question is one of prudence.
Another question I would have is whether there would be practices that could be Biblically warranted but not commanded for worship. That is, would it be possible to make an argument from Scripture that instruments are allowable in worship without saying that they are mandatory? Does the RPW allow for that?
Something I've always found interesting is that when a worship leader at a hymn-singing or contemporary church wants to make a particular hymn or stanza "extra special," they'll often drop out the instruments and have the congregation sing a capella.
That's all about style, though. It's not because we think God hears us better without instruments. It's not because we want to "worship God correctly" for one stanza. It's to emphasize the part. Were the whole song a capella there'd be no way to emphasize one part. I'm not saying that it's necessary to set apart one stanza or anything--I'm just explaining why it would be done. It is to emphasize.
I understand. I was a church musician for several years (acoustic guitar, bass guitar). However, I think the use of a capella at the climax of a song (even Hillsong rock worship songs) may indicate that worship leaders understand subconsciously the beauty and benefit of the congregation itself being the worship band and being heard.
If a congregation is going to try to use instruments merely as a circumstantial aid to singing (and it is very difficult for worshippers to view them this way), then at least it should be such that the congregation is emphasized and clearly heard. I used to make a Biblical case against instruments (and I still have it lying around in the attic somewhere if need it), but these days I take a more pragmatic approach. Spend 6 months worshipping a capella and you'll wonder why anyone wants to use instruments. It's unnecessary and their introduction has caused more division in the church (look at the worship wars) than almost anything. Even churches that share doctrinal confessions are divided over which "worship style" to use. Evangelicals at large choose churches on the basis of worship style more than anything else. What an incredible source of division the introduction of instruments in the 1800s turned out to be! I want to extend charity to my brethren, but please, let's declare a moratorium on instruments for a while. We may find that the voices of a congregation mixing together is a beautiful sound. It is Apostolic worship, Catholic worship (for over 1000 years), and Reformed worship. I love all my Reformed brethren, but please...just give it a try!
Example, we sang a psalm to the melody of "A Mighty Fortress." How's that for irony, Luther wins.
Example, we sang a psalm to the melody of "A Mighty Fortress." How's that for irony, Luther wins.
Any appropriate tunes will do for the Psalms.
Only those elements that have been explicitly commanded - i.e. Psalms a capella
If it's not an element of worship, those musicians that are not singing e.g. trombone players, are not worshipping, and those that are singing while playing intstruments are worshipping while also doing something else.
So the instruments aren't a circumstance, but an element. Pianists, trombonists, guitarists, etc, believe that they are worshipping God according to His pattern by strumming their guitars.
The question here is whether the silence of the NT on this matter means that instruments are allowable or verboten.
I would say that it is worship---the question is whether accompanied worship would be morally different from unaccompanied worship: does it constitute a separate element. To me, it's like asking whether the bread used at communion should be baguettes or sourdough; or whether the wine should be port. To me this is like making an elemental distinction (pun intended) along those lines.
How can that be, would you think Stairway to Heaven or Brown Sugar sufficiently reverent?
This creative element of instrumentation being brought in blurs the line between worship and entertainment, or lets entertainment take over.
If due weight is to be given to the NT silence, instead of it being ignored as it is by large sections of the Church, it means at best that they should be left at the periphery, in the zone of informal worship.
Tend to agree.Whatever it is it should only be used to guide singing, not overpower it, and not for entertainment purposes.
Simple.Thus, a question that should be asked at this point... why do we sing? Besides it being a command, what is the purpose of singing unto the Lord?
Simple.Thus, a question that should be asked at this point... why do we sing? Besides it being a command, what is the purpose of singing unto the Lord?
Let the word of Christ dwell in you richly in all wisdom, teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.
...but be filled with the Spirit, speaking to one another in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord, giving thanks always for all things to God the Father in the name of our Lord Jesus Christ, submitting to one another in the fear of God.
Simple.Thus, a question that should be asked at this point... why do we sing? Besides it being a command, what is the purpose of singing unto the Lord?
Let the word of Christ dwell in you richly in all wisdom, teaching and admonishing one another in psalms and hymns and spiritual songs, singing with grace in your hearts to the Lord.
...but be filled with the Spirit, speaking to one another in psalms and hymns and spiritual songs, singing and making melody in your heart to the Lord, giving thanks always for all things to God the Father in the name of our Lord Jesus Christ, submitting to one another in the fear of God.
Yes, the "admonishing one another" is a reason, but why do it musically? Could we not make melody in our heart and give thanks without music?
Why is the musical form a command, not merely a suggestion?
Yes, the "admonishing one another" is a reason, but why do it musically? Could we not make melody in our heart and give thanks without music?
If it's not an element of worship, those musicians that are not singing e.g. trombone players, are not worshipping