En Kristo
Puritan Board Freshman
I am quite sure that this is not what Dr. Duguid had in mind, but might one of those factors be the physical location of the instrumentalists? I visited some old colonial era churches in Pennsylvania that had choir lofts behind the congregation. I think that they were on to something, the difference between participation in worship and, for lack of a better word, entertainment. A choir behind a congregation that participates unseen in worship is, I think, something different from one that is visible and draws the attention of congregants away from worship. After all, what is a choir that participates, unseen, in congregational singing but a group of worshippers? Regarding contemporary instruments, I'm not a fan for several reasons among which is that I think they fundamentally do not understand the distinction between worship and entertainment. They are distracting. I would still not be a fan of contemporary instruments, but at least if they were hidden in a choir loft, out of sight, I might find them less distracting. I haven't devoted any time to exploring whether or not there is scriptural support for this idea but at some level I think that people worshipping in spirit and truth intuitively distinguish between something worshipful and something distracting. The whole idea of many contemporary worship services, it seems to me, owes more to Elvis Presley than to the Holy Spirit.As Dr. Duguid and Iain Murray both pointed out, there are other factors at play than simply instruments vs. no instruments. Just like everything we do in worship—singing, prayer, preaching, etc.—Scripture regulates not only the whether, but the how. Dr. Duguid did a good job explaining the edification principle above.