I won't take time to read the article (not that I would disagree with him necessarily, but I have a lot on my plate right now), but I would like to clarify something in his defense. I believe that I am speaking accurately when I say that there is a disjunction of thought between many of the younger reformed folk on this board (and in the PCA as a whole) regarding issues of musical form and many older ministers (or even Westerners in general) who would take a particular approach to music and the human spirit.
Up until the early to mid 20th century the predominant way of viewing the relationship of the arts and the human spirit was set forth by Platonic and Aristotelian aesthetic theory. The basic idea being that music has the ability, for better or for worse, to affect the human spirit, and therefore we should be careful about how we allow our art, and our music in particular, to be constructed and ingested.
This is not a bad thing, and would fall in line with the apostolic instruction regarding sobermindedness and respectability being a virtue among office holders in the church. For if it is good for them to set and example of being sober in our thoughts, and yet we listen to music that causes our thoughts to drift and flow with the induced emotions, how can we then say that exposing ourselves to these musical forms on a regular basis is following in the footsteps of apostolic teaching and its intent for the personal life of Christian?
However, in our own day, when classical thought is a widely neglected area of our educational development (dead white men, you know), and personal liberty reigns as king in our decision making processes (just read current popular critiques of the aesthetic restrictions found in Plato's
Republic, and how
un-American they are

) one begins to see why even many of today's Christians take offense at statements targeting music. They have no intellectual context in which to place such a criticism other than it being an encroachment upon their personal liberties. They think that labeling certain forms of music as worldly and others as less so is an arbitrary distinction, because they have never taken time, or maybe not had opportunity give, to think about the subject as men such as Dr. Peter Masters have been given opportunity.
The bottom line is that, whether you want to label certain styles as being worldly or otherwise, music is indeed a powerful force that affects our emotions and our thoughts. If you want to deny that you are either a liar or an android, and I would hope that you would not want to exist as either! With that in mind, our selection of music for worship needs carefully to be thought through. Are we creating soberminded disciples of Christ, or are we developing our people in less strengthening and edifying ways? I am not hesitant to say that on more than one occasion my wife and I (and on even one occasion my kids also!) have been embarrassed to see people leading worship in Reformed congregations who were swaying before the us with eyes shut and who looked like they were waiting for someone to come up and give them a kiss! When your own young daughter has to ask why the men leading worship in a local PCA congregation were sweating and "looked like he was trying to kiss his microphone", then you know that issues of worship need to be addressed!
So for all who think Peter Masters is acting like a fundy with his take on music, I think you should realize that a bit of ignorance may be going on at your own end, and that you should familiarize yourselves with historic Western thought on the matter, as well as studying that thought in the light of Scripture (the Pastoral Epistles especially) to see how much light these man may have been able to gather from general revelation on the matter. You might be surprised to find that there has been a discussion going on for quite some time on the relationship between music, the emotions, and ethics (millenia, in fact).
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